best cab simulator pedal Shift Line CabZone X IR Cab Simulator Pedal
SKU: 98042114202
best cab simulator pedal

best cab simulator pedal Shift Line CabZone X IR Cab Simulator Pedal

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Description

best cab simulator pedal Shift Line CabZone X IR Cab Simulator PedalNo Taxes, Duties or Tariffs Fast Free Shipping Free Returns: $199 is your total cost here for the Shift Line A+ CabZone X IR CabSim, Cab Simulator Pedal. Meet the new Shift Line A+ CabZone X, IR cabinet simulator (cab sim) pedal! CabZone X is the new generation of our digital IR based cab simulator. The IR Impulse Response Convolution technology provides a realistic sound and preserves the unique character of the cabinet and microphone used to record

No Taxes, Duties or Tariffs - Fast Free Shipping - Free Returns: $199 is your total cost here for the Shift Line A+ CabZone X - IR CabSim, Cab Simulator Pedal.

Meet the new Shift Line A+ CabZone X, IR cabinet simulator (cab sim) pedal! CabZone X is the new generation of our digital IR-based cab simulator. The IR Impulse Response Convolution technology provides a realistic sound and preserves the unique character of the cabinet and microphone used to record the impulse. We have taken into account user feedback, and created a new version of our cabsim device that allows you to play and record, without having to use unwieldy cabinets and complex signal chains.



Simply put, the CabZone X is a part in your signal chain that is responsible for the overall sound of your guitar, bass, or other instrument. CabZone X can replace the power amp, cabinet and microphone all at once. Plug it directly into any receiver (e.g. mixing console, audio interface, headphones, or monitors) and get your preferred tone, without having to worry about the guitar and bass amps, and mics available at the venue.

The CabZone X still has a very simple user interface, although it has been substantially expanded from the earlier CabZone LE. First of all, CabZone X has a fully functional XLR balanced output with ground lift, which will come in handy at live gigs. With this option, you don't need to worry anymore about using a separate DI box to transmit the signal over many meters of cable.




Download the Shift Line CabZone X Cab Sim Manual PDF


Another important CabZone X addition is a set of 10 power amp emulations, that will let you sculpt your tone even further. This cabsim now allows you to not only emulate the delicate response of a clean power amp, but also to add the characteristic harmonic distortion of various overdriven power amp types. Besides, you can now control power amp gain via input volume.

CabZone X also features an updated headphones amp, revised universal power intake (it can now work with Power Bank-type power supplies), extended dynamic range, and improved signal to noise ratio. Impulses are now uploaded via USB, so there is no need to buy a microSD card. This cabsim also features a sturdy aluminum enclosure with recessed knobs. Plus, CabZone X has become only slightly larger in size!





MAIN FEATURES:

  • A simple and intuitive user interface which doesn't require any external devices to use the key functions.
  • 10 stock impulses selected by a single knob.
  • Third-party impulse upload via Micro-USB to the internal Flash memory.
  • 10 stock power amp emulations for guitar and bass.
  • Great sound quality and signal to noise ratio.
  • Unprocessed THRU output for sending the dry signal to a different processing chain.
  • Fully functional XLR balanced output and Ground Lift switch to eliminate ground loops.
  • AUX input for sending audio to headphones only.
  • High-quality headphones amp with a separate output (for silent practice or monitoring).
  • The possibility to use all of the device's outputs simultaneously, and connect it to up to 4 signal receivers at once.
  • Input overload indicator.
  • Compact and convenient input and output layout: all audio jacks and their control knobs are placed on the same side.
  • Small size and recessed knobs, which allow you to place the device at any point on your pedalboard, with no risk of messing up the settings.
  • Universal power intake (all sold separately), 9V supply with at least 200mA of power or more, or 12V supply with at least 150mA of power or more. Also, autonomous work from USB power, including Power Banks.
  • Open architecture which allows you to create your own patches and upload them via Micro-USB.



CONNECTIONS:

  • IN - signal source input (with a PAD switch to control input volume).
  • THRU - unprocessed parallel output that duplicates the signal from the IN jack.
  • OUT - mono output for processed signal (to go into the PA, audio interface, mixing console or powered speakers).
  • AUX - input for external audio (the signal from the AUX input only goes to the headphones output).
  • PHONES - headphones output.
  • BALANCED OUT - XLR balanced output (with ground lift option via the GND switch).
  • POWER IN - power supply input (9V DC 2.1mm center negative tip supply with at least 200mA of power or more, or a 12V DC 2.1mm center negative tip with at least 150mA of power or more, sold separately).
  • MICRO-USB - a port to connect the device to a PC for impulse upload or firmware update. This port can also be used for USB power, including Power Banks (sold separately).


CONTROLS & LED:

  • CAB knob selects the impulse.
  • VOLUME knob controls the OUT and PHONES volume.
  • AMP knob selects the power amp emulation.
  • PAD switch selects input sensitivity:
    • INST - instrument level (0dB, input resistance at 500kOhm);
    • LINE - line level (-6dB, input resistance at 20kOhm).
  • The GND switch helps to eliminate ground loops that may occur when using balanced connections. In the bottom position, the grounds of the cabsim and the sound receiver are connected; in the top position, they are disconnected. The optimal setting is the one where you hear the least amount of 50Hz hum and harmonics.
  • The LED displays the device's current mode. In standard mode, it is green. When USB connection is used, the LED is blue. The same LED indicates input overload: if it turns yellow, decrease the volume of the incoming signal.


There is no bypass switch. The bypass is digital, and allows to disengage various sections separately:

  • When set to OFF, the CAB knob disengages the cabinet section.
  • When set to OFF, the AMP knob disengages the power amp section.
  • When both the CAB and the AMP knobs are set to OFF, both sections are disengaged. In this case, the incoming signal is passed to all outputs, and its volume is controlled via the VOLUME knob.


CAB KNOB AND STOCK IMPULSES:

The CAB knob has 11 positions and allows to select the impulse or to switch off the IR section. The device comes with 10 stock impulses (8 for guitar and 2 for bass) which can be easily used in most styles of music.

By default, the 11 positions of the CAB knob are as follows:

  • OFF: the IR section is off.
  • 01: impulse of a 1973 Fender Twin Reverb combo amp cabinet with two JBL D120F speakers, recorded with a Lomo 19A19 mic using the combo's built-in power amp.
  • 02: impulse of a Marshall 1960 cabinet with Celestion G12T-75 speakers, recorded with a Shure SM57 mic using the power amp in Marshall JCM800 MkII.
  • 03: impulse of a VOX AC30 Custom combo amp cabinet with Celestion Alnico Blue speakers, recorded with a Royer R-121 mic using the combo's built-in power amp.
  • 04: impulse of a Supro Thunderbolt combo amp cabinet with one 15-inch speaker, recorded with a Shure SM57 mic using a neutral power amp.
  • 05: impulse of an Orange PPC412 cabinet with Celestion Vintage 30 speakers, recorded with a Royer R-121 mic using a neutral power amp.
  • 06: impulse of a Peavey 5150 cabinet with Peavey Sheffield Model 1200 speakers, recorded with a AKG C414 mic using the power amp in Peavey 5150 MkII.
  • 07: impulse of an Engl E412SGB cabinet with Celestion Vintage 30 speakers, recorded with a Shure SM57 mic using a neutral power amp.
  • 08: impulse of a Mesa Boogie 4x12 Recto Standard cabinet with Celestion Vintage 30 speakers, recorded with a AKG C414 mic using the power amp in Mesa Dual Rectifier.
  • 09: impulse of a SUNN 200s bass cabinet with two 15-inch speakers, recorded with 3 different mics with some EQ to make it sound great. A neutral power amp was used while recording the impulse.
  • 10: impulse of an AMPEG SVT-810E bass cabinet, recorded with 3 different mics with some EQ to make it sound great. A neutral power amp was used while recording the impulse.


The stock impulses can be fully or partially replaced by uploading third-party impulses via Micro-USB.
At the Shift Line Website, you can find exclusive impulse packs ready for use with the CabZones, for free, or optional donations.


AMP KNOB (POWER AMPS):


The AMP knob has 11 positions and allows you to select the power amp emulation, or to switch off the power amp section.

The 11 positions of the AMP knob are as follows:

  • OFF: the power amp section is off.
  • A - Neutral: The cleanest and loudest neutral power amp we could muster. It features a characteristic mild rolloff at the extremes of the range (-1dB in the highs and -2dB in the lows) resulting from a design limitation of a real output transformer. The dynamic range is interpreted in a way that doesn't make the signal sound compressed but instead saturates and livens it up. This power amp is practically impossible to overload with input volume. It should be your top pick if you want the cleanest sound for your guitar or bass. If you prefer overdriven power amps, take a look at presets B to J.
  • B -6V6SE: The Class A power amp with 6V6 tubes is one of the most sought after, and rightfully so. Design imperfections introduce asymmetry into amplification and highlights even harmonics across the whole guitar range, which is a nice feature for booster users. The higher the input signal amplitude, the more characteristic overdrive there is. Our preset isn't a fully overdriven singletact amplifier but more on the verge of mild breakup. The compact transformers in such amps provide a mild rolloff below 80Hz and often make the highs stand out a little more. This virtual power amp goes into overdrive very tenderly; the dynamic range is interpreted in a way that only the loudest sounds get distorted, so it is not always clear if the distortion comes from the amp or the speaker.
  • C - 6L6PP Classic: The American amp classic which all the various modern solutions stem from: a Class AB virtual push-pull amplifier which we just couldn't leave out. Almost as direct across the whole range as the Neutral one but with its own character. This amp cannot remain crystal clean at all volumes, but this imperfection makes it a substantial element of the signal chain. The incoming signal gets saturated by odd and even harmonics; this highlights guitar mids and highs without adding any nonsense in the lows. The dynamic range of such amps is peculiar: even quiet sounds showcase their nuances. We have attempted to reflect this in our preset, which will probably suit those who want to "round out" their guitar sound without introducing considerable distortion.
  • D - EL84PP California: EL84s are very divisive tubes as many people tend to dislike the way they operate at high volumes. However, one cannot overestimate what those tubes add to the guitarist's sonic palette. Power amps with EL84s often have characteristic "torn-up" lows and slightly "whistling" highs; this is a result of uneven amplification of odd and even harmonics across the spectrum. In our model, the second and fifth harmonics are very prominent in the lower part of the range, which should appeal to blues lovers. The virtual power amp is set to "max volume" and has a great response to changes in input volume. The characteristic non-linear compression and mild low shelf at 160Hz mean that the amp takes fuzz and classic low-gain overdrives extremely well.
  • E - EL84PP England: The sound of the British invasion. In a different part of the world, the same old El84s gave birth to characterful Class AB power amps with super juicy mids. Trying to set the amp to a higher volume results in an entirely different sonic character: focused, round, and rich in harmonics. This amp's dynamics model highlights the characteristically "compressed" and "sharp" sound which gets along well with treble boosters but doesn't really suit high gain. The amp has a mild low shelf at 40Hz and cutting presence.
  • F - EL34PP England: The next step in the British effect on guitar music: push-pull amps based on EL34 tubes. Those were perhaps the most widespread amps in the 70s and 80s. Fully cranked, they provide substantial overdrive with boosted mids, a bit of harshness in the highs, and focused lows. Our virtual British guy works great for classic rock: all you have to do is put a mid-gain preamp or classic Tube Screamer in front. Additionally, the resonance at 80Hz results in a very characteristic palm-muted sound. To get a cleaner sound from this power amp, just roll back the volume on your guitar — that's the classic way to go.
  • G - 6L6PP Modern: The development of push-pull amps based around 6L6s went in different ways. One of the results is the "Californian amp". Loud, cutting and with a pronounced "oomph" on palm mutes, it is the dream power amp of any metal guy from the 90s and early 2000s. Silicon diode PSU is emulated in this preset. A slightly "barking" character, pronounced low frequency detonation, harmonic saturation and considerable compression, all of these are fully present. This model works great with high-gain distortion pedals. Of course, the V-shaped EQ is more fitting than ever here!
  • H - EL34PP Modern: Another legendary branch of British amps tries to be modern but in a slightly different way. The secret is not in tolex color but in the approach to power amp overdrive. It's basically hot bias of the same EL34s, an emulation of a kenotron-based PSU with the characteristic bump in compression and distortion resulting from increased input level (just like the SAG knob on fuzzes) and great low frequency response. All of this results in highlighted third and fifth harmonics along with substantial compression and distortion; however, the sound remains "huge". This virtual amp's master volume is always set to max, and gain depends on input level. You can get a pretty wide gain range via your guitar's volume knob alone but overdriving this power amp won't hurt (particularly in the mids). Hard-hitting modern rock is where this power amp feels at home.
  • I - 6L6PP Mississippi: The third remarkable variation of Class AB power amps based on 6L6 tubes. Unlike the previous two, this one has notable distortion in output tubes in cold bias. The distortion from the "underbiased" amp is audible even at lower gain and is characteristic of heavy genres. The preset features medium damping, which adds some room to low frequencies. The higher the volume, the more compressed and distorted the signal gets, which results in characteristic "crunch". This virtual amp is meant for high gain first and foremost, but it will also work great for classic rock. If you love palm muting and dive bombs, this is the power amp for you. It's also worth noting that the amp isn't set at max volume but has some headroom. This amp tends to feed back at high volumes, which is something to keep in mind.
  • J - 6550PP Overloaded: Today, relatively few power amps feature 6550 tubes on board, so we couldn't pass up on modelling one. Imagine a monster with four of those tubes overdriven beyond any reasonable limit. This is where the fun starts! The sound starts to show some pretty weird features: a roar in the lows and lots of aggression in the highs. Add a classic Rat, and you can play doom metal using headphones which won't make your ears bleed. This might indeed be the least common power amp model out of the 10 but we just couldn't do without it. Surprisingly enough, this amp is pretty great with bass.


USB OPERATION AND IMPULSE UPLOAD:

To upload impulses, connect the CabZone X to your PC (a USB A (m), micro-USB cable is sold separately). After that, the device will be identified as a drive, allowing for impulse upload.

When the microSD card is used for the first time, an AFX folder with stock impulse files is automatically created on it. The files are stored in subfolders corresponding to the CAB knob positions. To use custom impulses, replace the stock files with your own.

Impulse format: mono 24bit 48kHz WAVE PCM1, uncompressed. The device uses the first 1000 samples of the impulse (about 20ms). If you upload a longer impulse, the CabZone X won't process any data beyond the 1000 samples. The first thousand contains all the crucial data on the cab's own initial reflections. Longer impulses also include reflections and frequency distortion introduced by the room where the impulse was recorded.

When the CabZone X is connected via USB, the LED turns blue. The cabsim's audio functions are still accessible. If you haven't copied any new impulses to folders in the device's memory, no changes happen to its operation. If you have copied a new impulse to the folder corresponding to the current position of the CAB knob, turn the knob to another position and go back to the previously selected one. After that, the new file will be uploaded to the device's memory.

To re-record the stock impulse files to the built-in memory, delete all folders from the drive. This will cause the device to automatically create the AFX folder and all its contents.

When done using the device, eject the drive safely and disconnect the USB cable.

Alternative firmware (patch) upload is currently in testing. The function is already available at the Shift Line CabZone LE support page. The detailed description for the CabZone X will appear later.


ADDITIONAL INFO:

  • The CabZone X is not only an IR-based cabsim but also a full-fledged DI box. The balanced XLR out allows sending the signal to long distances with no quality loss.
  • The CabZone X can be used as an IR-based cabsim with the Shift Line Twin/Olympic tube preamps (MkI and MkII), the Shift Line Beta preamp, or any third-party preamps without a built-in cabsim.
  • Plug the amp loop's SEND, into the cabsim's IN, then return the signal to the amp from the THRU output. This way, you'll have access to the full signal chain with a power amp and a cabinet, as well as to the second chain with cabinet simulation on all of the CabZone X's outputs. If you are using effects in the amp's FX loop, put the cabsim last in the chain.
  • The cabsim has no built-in load, so make sure not to plug your amp's cabinet out into the CabZone X.
  • Note that the THRU output has no latency; when working with processed and unprocessed signals simultaneously, the difference in latency should be compensated.
  • CabZone X has a very low level of own noise; however, that doesn't mean that the device doesn't amplify incoming noisy signal. Also note that "overdriven" power amp models (E to J on the AMP knob) distort the input level significantly, so any present noise gets amplified substantially.
  • If the CabZone X cannot read your impulse files, check if the files are in the correct format. Make sure to only use the mono 24bit 48kHZ WAVE PCM1, uncompressed format.
  • The device is based on the ADAU1701 digital signal processor and supports firmware upload for this processor. This option allows you to record up to 10 custom effects (such as chorus or flanger with fixed parameters) to the device. You can create such patches in SigmaStudio. The detailed description of this function will appear later.


SPECS:

  • IN - 6,3mm, mono, unbalanced, input resistance: instrument level - 500kOhm, line level - 20kOhm.
  • THRU - 6,3mm, mono, unbalanced, unbuffered.
  • OUT - 6,3mm, mono, unbalanced, output resistance at 100Ohm.
  • BALANCED OUT - XLR, mono, balanced.
  • AUX - 3,5mm, stereo, unbalanced, input resistance at 10kOhm.
  • PHONES - 3,5mm, stereo, unbalanced.
  • Processed signal latency - 1,2ms.
  • Effective impulse length - 1000 samples (20ms).
  • Impulse format - mono, 24bit 48kHZ WAVE PCM1, uncompressed.
  • Power - (sold separately). This device does not use a battery. Use a regulated PSU only.
    • 9V DC 2.1mm center negative tip supply with at least 200mA of power or more.
    • Or, 12V DC 2.1mm center negative tip with at least 150mA of power or more
  • USB Power - the device can be powered via USB cable, including by Power Banks (all sold separately).
  • Dimensions - (LхWхH - 4.33"x2.83"x1.26")
  • Weight - 7oz


WARRANTY:

Comes with Shift Line's 3 year warranty for all electronic components, and 1 year for components subject to mechanical impact (potentiometers, footswitches, switches, jacks, etc.).

SHIPPING:

Ships fast! Usually same day, within 24 hours at most, with Free Shipping with tracking (1 biz day processing, 1-3 biz days transit time). 1 and 2-Day guaranteed shipping are also available.

Our added value, when purchased here at coolguitarshop.us:

  • Best Total Price: $199 is your absolute final/total cost here.
  • No Sales Taxes, Duties, or Tariffs: We pay all of these for you!
  • Fast Free Shipping in U.S.
  • No Risk: Try it on your own rig for 30 days. Don't love it? Return it for a full refund... no hassles, no costs. (We'll send you a prepaid return label link.)
  • Rock-solid customer service, 365 days a year.

Imagine one of the most feature-packed, modern guitar and bass cab sims available, in your own rig in a few days! Shift line has done it... with the new Shift Line A+ CabZone X, IR cabinet simulator pedal.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 98042114202

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Omaha, US
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Size: 3 Fl Oz (Pack of 1), Style: SPF 50
I am in my 30s with combo leaning oil and acne prone fair skin with pigmentation issues and I’m on prescription tretinoin every day. I sometimes use hydroquinone when my pigmentation issues flare up. I wear sunscreen every single day to protect my skin. It’s especially important since I’m on Tret. daily. Being that I have acne prone skin finding a sunscreen has always been a HUGE challenge for me. I’ve spent so much time on SkinSort and similar sites looking through sunscreen ingredients lists trying to find ones that won’t break me out. I’ve purchased PLENTY of k-beauty, j-beauty, EU sunscreens and Us sunscreens from Sephora and drugstore only for them to break me out. My skin is very sensitive/breakout prone to long ingredients lists, emollients, heavy textures, oils and lots of botanicals. I randomly stumbled upon this banana boat sunscreen here on Amazon and saw the short and fairly simple ingredient list that is low (not free of- but low) in occlusive ingredients in comparison to other sunscreens so I decided to order it. It has not broken me out and it feels nice. No alcohol in it, no irritation, no pimples so far. The tube is user friendly, the texture is light and pleasant and the sunscreen is affordable and accessible. I also appreciate how it’s water resistant so can be worn every day OR pool/beach. I highly recommend this to anyone with acne prone or sensitive skin if you are ok with US chemical sunscreens. I prefer chemical sunscreens over mineral sunscreens as mineral sunscreens break me out. This affordable banana boat in my opinion is WAY better for me personally than high end and expensive options that have tons of pore clogging ingredients. Yes even the popular k-beauty sunscreens break me out unfortunately. Everyone is different and anything has a potential to clog someone but for me this sunscreen is way more safe for my acne prone skin than any other sunscreen option I’ve come across. The majority of sunscreens are just packed with pore cloggers, but this banana boat one is minimal in comparison. The tube is travel size (tsa approved) but bigger than your standard 1.7oz sunscreen. This is nice for me because like I mentioned I wear sunscreen every single day and re-apply if I’ll be outside in the sun. While spending time outside I did not burn while wearing this sunscreen and I’m extremely fair skinned. I also did not notice any new pigmentation issues. The texture is nice, light and pleasant. It wears well under makeup. I normally wash my face in the AM, apply a hydrating kbeauty toner, tiny little dots of super light gel moisturizer (not much- I’m oily!) and then apply this banana boat sunscreen on top. Sometimes I wear makeup sometimes I don’t. It works both ways. I have not experienced any pilling. I have not noticed any scent with this sunscreen other than the sunscreen filters smell which isn’t too bad at all in comparison to other sunscreens I’ve tried. The sunscreen itself adds a touch of moisture but I don’t find it to be greasy on my oily skin. In the summer I will probably use a hydrating toner or serum (skip gel moisturizer) and then apply the banana boat sunscreen since I live in a warm climate. Anyways, this is a very nice textured non offensive not overly clogging (for me at least) Us chemical sunscreen that has been very unproblematic for me. I just apply a decent amount every AM and don’t even think about it. Like I mentioned if I’m out in direct sunlight (normally I’m not in the winter) I’ll reapply as needed. In the PM I use bioderma micellar water and then follow it with my Remedy brand face cleanser and it takes the banana boat off fine. I’m interested in trying the spray version (always spray decent amount into hand and then apply!) for my body in the summer. For now I apply this banana boat sensitive face to my face, neck, hands or whatever exposed area. If you tried the banana boat light as air face spf that one is a little more matte and dry but it’s also more pore clogging in both my experience and by ingredients lists. This banana boat sensitive has a bit of a different texture that’s lightweight and still not greasy but it’s more of a traditional light lotion. The banana boat light as air face one felt great but over time gave me more closed comedones. Needless to say I highly recommend this lightweight Us chemical sunscreen to anyone looking for a simple waterproof Us chemical sunscreen that is affordable and easy. Obviously no white cast as its chemical. Sorry for the long review but it might help someone out. Also I purchased this with my own money I am not a part of one of those product reviewing groups- whatever they are called. No shade to anyone lol.
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Great
Size: 3 Fl Oz (Pack of 1), Style: SPF 50
The sunscreen itself is really good. It applies smoothly just as advertised “lotion”. I was pleased to see it didn’t leave a white cast. I apply makeup over my sunscreen often. This sunscreen worked perfectly with makeup. Like it said, it’s unscented and that was true as I didn’t detect a scent. My skin feels nice with this on. My only issue is that it didn’t come with a safety seal under the cap. Usually all products come with a seal to ensure it isn’t tampered with and that buyer gets the full amount of product. That was a bit upsetting but hopefully I didn’t actually get a used one.
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Sheer Sensitive SPF 50 ☀️
Size: 6 Fl Oz (Pack of 1), Style: SPF 50, Size: 6 Fl Oz (Pack of 1), Style: SPF 50
Application: Specifically purchased for use on the face. ​ Finish: Leaves the skin feeling moisturized, not greasy. ​ Appearance: Blends in perfectly with no white cast. ​ Value: Highly concentrated formula—a little goes a long way. ​ Verdict: A rare mineral-based sunscreen that actually feels lightweight and looks invisible on the skin. Ideal for daily protection without the heavy, oily feel of traditional sunscreens.
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sunnyberry
Natrona Heights, US
★★★★★ 5
I LOVE this sunscreen!! Super affordable and lightweight for your skin!
Size: 6 Fl Oz (Pack of 1), Style: SPF 50
I love this sunscreen!! Love it so much I bought 3 bottles of it! Super lightweight and blends right into the skin, and I don’t feel not sticky! I got super excited and got this primarily because it’s lightweight, super affordable, SPF 50 for high protection, and it said there’s no alcohol or fragrance…heres the catch tho, there IS a slight sunscreen smell, but you only notice it when applying it and if you keeping smelling it on yourself up close during the day. Other than that, it’s truly fragrance free in the sense that you aren’t just standing there doing your thing, and keep getting HIT with the scent of sunscreen for hours, like other sunscreens! The scent is extremely light and pleasant when you go to smell it on yourself. Don’t EVER discontinue this please please please!!!!
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Reviewed in the United States on May 26, 2026

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